Anything Goes. If you'd like to read about it please go here. Four months later, I had the opportunity to go back in for another round of auditions for the tour. Which is just an example of how unpredictable the casting of shows can be. You never know if you've been cut or they are just waiting until later to call you in.
The audition started out with the jazz combination we learned in January from the song "Blow Gabriel Blow" and then a cut was made. I was kept and then we put our tap shoes on to learn a tap combination! Yay! Of course the combination was from the shows title number "Anything Goes". It was a classic style tap number, only 64 counts long and the difficulty was not too bad. The combination consisted primarily of back essences, grab offs, buck triple time steps and cramp rolls. I'm apologize if you don't know the tap vocabulary. After learning it as a large group we began to do it three at a time. I nailed the combination and the grab offs they made each person do alone. After everyone danced they made another cut and those of us that were left now had to sing.
I actually debuted a new song at this audition called "Oh Diogenes". It is a classic Rodgers and Hart song and perfectly suited to audition for this type of show. It is a little longer of a song, at 32 bars, than the usual 16-bar cut I sing most of the time. The song went pretty well and I was asked to sing a second contrasting song. I chose to sing "Simple Little Things" which is starting to become my go to second/soprano song. After I got done singing everyone behind the table looked happy and generally entertained which was nice. A few days later I received an appointment for final callbacks the following week!
Thus far in my auditioning I've noticed three different faces people generally have behind the table.
1. The person who smiles no matter what. They will keep smiling even if you sing off key, crash and burn with the accompanist, etc. Of course that can lead them to look a little like a crazy person sometimes. LOL
2. The person who gives you the dead stare no matter what. You could be Idina Menzel in the audition room and they will just stare at you like they have heard it all before. No smiling ever.
3. The person who actually seems to be reacting to what you are singing. They are along for the ride with you. They might not actually be smiling but they are into it.
Obviously, my personal preference is to sing for person #3, followed by #1, and lastly #2. Person #2 has a tendency to unsettle me when I'm singing, which can make me nervous and thus mess up my audition.
*Unrelated Thought End*