Mr. David Sabella-Mills gave me a homework assignment. Like he was a regular h.s. teacher David told me to go out and sing my audition song (Waiting for Life to Begin) at one of the open mics around the city before I went to my final callback. After a failed trip downtown on Monday night, I finally got up the courage to actually sing at Don't Tell Mama's a piano bar in midtown. unfortunately it took about four drinks for me to get the job done, which meant it was a little hard to get up on Thursday morning.
Thus, I arrived at my 10am audition at 9:45! Of course they were running behind like last time, so I get some credit for not being all out crazy. Anyways, I walk into the holding room and there are still 14 girls there! Umm, what happened? Did they not eliminate anyone the last call back? Surprisingly enough there were 4 girls there who had never auditioned before! How? What? I have to find a way to get on THAT list.
At about 10:30, they call us into the room and review the tap and ballet combinations from before. No surprises here, except that the pace is very fast. After the review we head back out into the holding room, and the boys have arrived. They head into the room to review and us girls wait for Ms. Stroman to arrive. After quite possibly the longest 30 minutes ever, Ms Stroman arrives and the audition begins.
We start with tap, reviewing the combination once. Then Stro (as she will henceforth be referred to) gets up in the front and tells us we will be going two at a time. I get to be in the second group to go. That may not seem good, but at the other two auditions I was the very last girl to go and THAT is nerve wracking. Anyways, I do tap combo well, as does everyone else. At this point everyone knows it so there is no one that isn't good. Ballet goes pretty much the same. Stro was so nice, calling all of us out two at a time herself, and telling each group "nice job ladies". After everyone was done we went out to wait to sing.
The boys went into the room, auditioned, and came out, and now it was singing time! I had worked on all the corrections that the casting director had requested, performed in front of the public at the open-mic. All that was left was to do it when it counts. I go into the room to sing, and there must have been six people, plus the piano player there. I reviewed the song with him and there was nothing left to do but sing my little heart and try not to be scared. It went as well as I thought it could and after I was done, Stro said "you had really good audition today"! Amazing.
Thats it, after three auditions over the course of a week and a half, it was over and all I had to do was wait.
Oh and today, June 18, 2010, Tara Rubin Casting called...and I got the JOB!!!!! The National Tour of Young Frankenstein ensemble and my equity-card!!!