One last time for Stro...again

I had my callback for the Big Fish workshop this past Tuesday.  I had been given the music I learned on Friday to practice, so I knew I had to sing that again and I was also told to bring my book.  When I arrived, it had the feel of final callbacks and there were 15 girls there in total.  All of the girls had been in before, except for one and she was a notable Broadway veteran who had me very nervous.  The girls who were in for the same part as me, there were four of us, had to get to the audition early to go over the music.  So just the four of us went into a room with the accompanist to sing through the music.  Just a bit intimidating.  After the singing finished I had to go sit by myself to get my mind together, because I was letting myself get a little intimidated and freaking out.  YES I can be freaked out at auditions.  I'm still waiting to get my Broadway credit and when you are competing with girls who are constantly working on Bway it can get the best of you.

So after a quick pep talk from a friend and taking some time to get it together, it was time to go audition.  We first reviewed the tap combination very quickly and then we performed it three at a time.  Then five girls, including myself, were taken in to do the ballet combo for the featured part.  We reviewed it and then we each got to go one at a time for Stro!  After that it was time to sing.  Apparently I missed the memo about bringing an audition dress to sing in!  Now, yes it is standard to sing in a dress, but a lot of times dancers won't change to sing after dancing because:

1. You want casting to remember who you are.  i.e. the girl in the pink leotard etc. and if you change into something different they might get confused if the girl dancing in pink and the girl singing in green are the same person.

2.  A lot of times you go right from dancing to singing and there is not enough time to change.

So I didn't bring a dress to sing in, because it honestly just didn't cross my mind.  Oh well.  When it was finally my time to sing, and I was the LAST girl to sing.  I went into the room and sang the given music first with Andrew Lippa.  After the first time through, I received a correction on the acting/music and then was told to sing it again.  I implemented the change he asked for and he told me I did a good job on the correction!  Then I sang my own song Don Juan.  Stro told me "well done" and that was it!  The whole audition went really well, and I don't think I could have done any better.  Which, is really the best way to end the day, that way even if you don't get it you know that you couldn't have done anything else.  No Regrets!

I think the lessons that can be learned in all this is that:

1.  Sometimes getting cut at an audition has NOTHING to do with your dancing.  You go in a bad group, you are standing too far to the left to be seen, casting had to sneeze while you were dancing and thats all they could thing about..etc.

2.  There is nothing wrong with going in for the same thing over and over.

3.  If you feel something is awry, ask to be seen again.  The worst they can do is say "No".

Big Fish Comes to Broadway

Ever since I saw this notice in Playbill I've been excited about this new show Susan Stroman is doing.  Primarily for the fact that if she cast me once, I have a better shot at being cast again!  Well two weeks ago was the audition for the latest workshop of Big Fish.  If you don't know, it takes years for new musicals to get produced.  Usually the creative teams spends a very long time just writing the book and music, then they will have readings of the show, next workshops, and then an out of town tryout.  IF all of that goes well then the show, if it has enough funding, gets to go to Broadway.  Its a very long and arduous process to say the least.  So this most recent audition was not for Broadway, but for a workshop; however, often times the cast gets to stick around and be on Broadway.  Therefore, being in a workshop is a good way to become an original company member of a new Broadway show.

Whew, after all that explanation lets talk about the audition!  First off, Stro likes her tall girls so the call was only for girls 5'6-5'10". however she actually doesn't mind if you are above that height requirement  This is always nice because it means the audition won't be nearly as crowded as they usually are.  Still, 90 equity girls showed up to audition that day.  I got to the audition in time to hear my name called on the list, and I was going to be in the first group.  The audition started with a tap combination in which we were supposed to be USO girls.  As we learned the choreography it was really cute, but hard AND it was the combination that would NEVER end!  I could feel my brain fighting itself to prevent a freak out.  There were so many points when I thought we had finished, we would take it from the top and get to "the end" only to have the asst. choreographer say "and the next step.." Ahhh!  It was quite honestly the longest tap combo I have ever learned in an audition! sixteen counts of eight to be exact

After finally learning the combination it is time to do it in groups of three.  I was number four so I was in the 2nd group to go.  When combos are long and difficult going in the beginning can be a risk.  My group started the combination but the downfall of tapping in a group is if one person gets off it can bring down everyone and that's what happened.  At some point things went awry and, though I personally didn't mess up, the taps became unclear and off the beat at some point.  We got it back together and finished fine, but I immediately had a bad feeling.  After all had danced my bad feeling was confirmed.  I was cut!  In the first round!  I  gagged! (mortified) After spending an hour and fifteen minutes in the room it was a major let down to not go on.  They didn't keep many of the girls in my audition group maybe 7-10 out of the thirst, but darnit I felt like I should be in that group!  After that round they did ballet and sang afterwards. *sadface*

P.S. I don't usually make a big fuss about getting cut at auditions.  I believe it is best to have a laissez faire attitude about it all, so that you don't take rejection personally.  I failed after this audition.  I was a little too personally invested, so shoot me.

Becoming Chaplin Audition

After finishing with the Northern Stage audition I hopped on the train to head to another audition for a workshop for the new musical Becoming Chaplin.  The Northern Stage audition had started at 9:30 and Becoming Chaplin was scheduled to start at 10.  So heading downtown at 10:30 I was in a bit of a hurry to make sure I got there in time to be seen.  Lucky for me when I arrived the first group of equity girls was still in the room and I was only #65!  Again, where is everyone!?


Now, originally the monitor, the person who runs the audition room, told me I would have to go with the non-equity girls because I had arrived so late.  But I quickly filled out my card and changed, just in case he tried to switch things up on me and surprise! that's exactly what he did.  As the second group was heading in he told me that I could go in with them.  So I rushed to put my shoes on and was the last person to get into the room.

Now, if you've ever seen a Charlie Chaplin film you know it has a lot of physical comedy in it.  So at the audition choreographer, Warren Carlyle tried to recreate this.  The first third of the combination was counted in sevens and sixes and was filled with acting, we were basically trying to portray someone waking up and stretching.  Then the combination broke into a little soft shoe number! Fun.  However, at the end it got very difficult.  The combination finished with a million chaine turns into a triple pirouette, into twelve fouettes, finished with a double pirouette and drop to a split! Seriously.....is this real life?

Now the combination was super long, but I managed to keep my brain on long enough to pick it up. Plus, I was in the very last group to audition so I had plenty of time to run through it in my head.  Watching 30 plus girls go before you is always helpful, but it also made me realize just how impossible that turn combination was.  You simply can't turn that much on a wood floor, with rubber soles, IN HEELS!!!  Luckily for me I have been too lazy to get my shoes rubbered so I had suede on my LaDucas.  Anyways, when it was finally my turn, I had a lot of fun with the acting and then when we got to the turn combination, I managed to get through the entire thing without stopping.  By the end I wasn't spotting and the entire room was just spinning by in a blur.  I'm also sure that they were the ugliest, most turned in, hiked up shoulder fouettes ever seen in an audition room.  But I dropped to my split and was finished!  Hooray!

Then choreographer told us that we could all be excused, but once in the hallway my name and one other girls name were called back into the room to dance some more!  But when we got in there he explained to us that we didn't need to dance again, that he simply wanted to let us know they would be calling us at some point to come in and sing again!  Awesome.

One last time for Stro

Last week my voice teacher Mr. David Sabella-Mills gave me a homework assignment.  Like he was a regular h.s. teacher David told me to go out and sing my audition song (Waiting for Life to Begin) at one of the open mics around the city before I went to my final callback.  After a failed trip downtown on Monday night, I finally got up the courage to actually sing at Don't Tell Mama's a piano bar in midtown.  unfortunately it took about four drinks for me to get the job done, which meant it was a little hard to get up on Thursday morning.

Thus, I arrived at my 10am audition at 9:45! Of course they were running behind like last time, so I get some credit for not being all out crazy.  Anyways, I walk into the holding room and there are still 14 girls there!  Umm, what happened?  Did they not eliminate anyone the last call back?  Surprisingly enough there were 4 girls there who had never auditioned before!  How? What?  I have to find a way to get on THAT list.

At about 10:30, they call us into the room and review the tap and ballet combinations from before.  No surprises here, except that the pace is very fast.  After the review we head back out into the holding room, and the boys have arrived.   They head into the room to review and us girls wait for Ms. Stroman to arrive.  After quite possibly the longest 30 minutes ever, Ms Stroman arrives and the audition begins.

We start with tap, reviewing the combination once.  Then Stro (as she will henceforth be referred to) gets up in the front and tells us we will be going two at a time.  I get to be in the second group to go.  That may not seem good, but at the other two auditions I was the very last girl to go and THAT is nerve wracking.   Anyways, I do tap combo well, as does everyone else.  At this point everyone knows it so there is no one that isn't good.  Ballet goes pretty much the same.  Stro was so nice, calling all of us out two at a time herself, and telling each group "nice job ladies".  After everyone was done we went out to wait to sing.

The boys went into the room, auditioned, and came out, and now it was singing time!  I had worked on all the corrections that the casting director had requested, performed in front of the public at the open-mic.  All that was left was to do it when it counts.  I go into the room to sing, and there must have been six people, plus the piano player there.  I reviewed the song with him and there was nothing left to do but sing my little heart and try not to be scared.  It went as well as I thought it could and after I was done, Stro said "you had really good audition today"!  Amazing.

Thats it, after three auditions over the course of a week and a half, it was over and all I had to do was wait.










 Oh and today, June 18, 2010,  Tara Rubin Casting called...and I got the JOB!!!!!  The National Tour of Young Frankenstein ensemble and my equity-card!!!

Young Frankenstein cont.

Tuesday morning, was the morning of the callback for Young Frankenstein.  It was set to begin at 10am and me being my early-arriving self got there at 9:30.  There were several new faces that were not there yesterday and only a few people I recognized from the day before.  Apparently, getting called back from a chorus call gets you into the "Invited Dance Call" which is what other people are just invited to in the first place.

The audition starts out with tap again, only this time its the combination all the equity girls learned yesterday.  I practically run to the front of the room, because I know I'm going to need to be able to see if I want to get this right, but it really didn't matter because the assistant choreographer kept making everyone switch around so we all got a chance to see.  He started teaching the combination and it was fast and a little complicated.  One girl left the audition before he even finished teaching it!

Have you ever studied for an exam and then when you sat down to take it realized it was nothing like you had planned?  You studied straight facts, and suddenly its an essay test?  That's what this was like, but just like when sitting in a surprisingly difficult exam, you have a choice.  Either give up and sit there staring off into space until its over or try to get it together and make sense of what you're looking at.  I literally felt my brain turn on and forced myself to take it all in.  Luckily they let us go over it a couple of times before we had to do it three at a time and I made the cut!

Next we did the same ballet combination from the previous day, so my brain got a break.  They didn't make a cut at this point since there were 13 people left (yes I counted!) .  It was time to sing again,  after doing such an awful job the day before I wanted to practice a bit before I went in but there was no where to do it.  Every time I tried to practice a lovely employee from the studio would tell me not to. Ugh.  I had planned on singing A Little Bit in Love again, but when I got in the room.  I asked the casting director and choreographer what they wanted and they said whatever I was most comfortable with so I completely switched gears and sang Waiting for Life to Begin from Once on This Island.

Surprisingly, the casting director told me how much better this song was than yesterday's!  She also took the time to give me feedback on my performance.  It was the first time anyone had every taken the time to do this and I was extremely grateful.  Still upon leaving I let all hope go out the window.  Its better as a performer to just know you didn't get it when you leave an audition so that its a surprise when you do rather than a disappointment when you don't.

Yet somehow, the next day, I look at my phone and there's a missed call from Tara Rubin casting!  I've been called back again!  This time, the call back is for next week and Susan Stroman is going to be there!  The woman has one FIVE TONYS!! She directed and choreographed The Producers!   This is really quite the opportunity and I'm really excited.  I don't know how many spots there are on the tour..I've heard two females and I don't know how many girls will be there next week.  But this whole experience has been awesome! Wish me luck!

P.S. Please listen to LaChanze sing Waiting for Life to Begin and KNOW that I SOUND NOTHING LIKE THAT.  She sings it a whole step higher than me and she's an icon...that is all.

My First Equity Call Back

Its been a month since I've posted. The month of May was particularly slow, and coupled with all the mental and physical exertion..lol from Radio City I have pretty much been relaxing since then.

On Monday, however, I finally got my butt up and went to an audition. It took a lot of cajoling from my biggest fan, but I got there. It was a call for Young Frankenstein the musical, created by the famous Mel Brooks, it ran on Broadway and now is touring nationally. It is the story of Frankenstein, but told with a humorous plot.

I just made it to the audition at 2pm, and there was not many people there. Granted the call was for girls 5'6" to 5'10", can you say..advantage? Anyways, there were about 30 equity girls there and about 40 non-equity girls. They tell us we will be doing tap first and take the first group of 15 equity girls in. The group takes about 25 minutes and they are apparently teaching the same combination they always teach...which would be great if I knew it, instead I'll be at a distinct disadvantage. Its no fun to be one of the only people to not already know a combination in an audition. The second group of equity girls get their turn and then it is time for the non-eq girls. Given that I was one of the last people to get there I am put in the 2nd group of non-eqs, so I have one more group to wait. I thought I had 25 minutes but as soon as the girls come in, they are coming right back out. It turns out for the non-equity girls they are just doing buck triple time steps. AWESOME!

I get in the room and they go over the time step and then line us all up and we do four time steps each one at a time all the way down the line. Then they made a cut and I was kept. The bring everyone back in the room equity and non-equity and teach us a ballet combination in character heels. Its fairly simple, balances, developpes (kicks) single turn, jete (leap). Its surprising, but you really can tell a lot about a dancer from such a simple combination. They made us go three at a time across the floor and then it was time for another cut. Yay, they keep me again.

Of course now comes my favorite part...the singing. There are about 18/60 girls left and they ask us for a traditional musical theatre song. So I chose to sing "A Little Bit in Love" from the musical Wonderful Town. (see Audra show how its done) It went awful...or at least it felt awful. All over the place register wise, but I gave it and pretty let the audition go, figuring I had blown it.

But when I got home from the audition, my cell rang and it was Tara Rubin casting calling to invite me back the next day for a call back! These people must be out of their minds!? But I graciously accepted and prepared for the next day...

I'm dreaming of White Christmas!

Of the Broadway tap auditions I've done, today was by far the most challenging audition thus far. You see today was the audition for White Christmas an Irving Berlin musical that is put on during the Christmas season in NYC and on a national tour. The chorus call said that they needed good tappers so I went out to see what it was about. I woke up about an hour after planned and had to get ready in a hurry. I figured I would try to look the part for once and gave a good attempt at making myself a cute little updo!



I get to Ripley-Grier and the place is packed with girls. There were about 87 equity girls and another 77 non-equity girls there. While waiting until the non-equity time the equity girls were going in 35 at a time and others were watching through the window to pre-learn the combination. Unfortunately for them, as each group went in the choreographer taught a completely new routine so no one could be prepared! Completely ingenious on her part and absolutely horrific for us girls. Nonetheless, I head into the audition room in the last group of non-equity girls and she starts off with the combination. It was only four counts of eight, but she taught it faster than I had ever learned anything before. Holy Crap! and it had the gall to have very intricate rhythms going on. To top it all off after only going through it about three times, she announces that we will be doing it ONE AT A TIME. Awesome...luckily for me when it gets time for me to go, I nail it and make the first cut.

After this first round there were still about half the girls left and we went in, in two groups to learn another tap combination. It was about ten eight counts and we got the chance to really learn it this time and more time to practice as we were excused and groups of six were called to do the combo. I was in the twelfth group of six and in the first group of three girls to go. I did it beautifully the first time, but of course they made us repeat it and the second time through...well I always get this feeling about half way through a combo, its a feeling of running on autopilot and not knowing really whats coming next and it almost always means I'm going to screw up...and guess what I did! Boooooo! On the second to last eight count it all went up in flames and though I made my way back for the last eight count...I pretty much knew it was over for me.

Now, the casting director had told us previously that they would not be keeping anyone out of the 80+ of us for the rest of the day, instead they would be giving people calls to let them know if they should come back in. I find this highly annoying because although I "know" I'm cut...I don't KNOW KNOW I'm cut. But I know better than to expect a call after that. Anyways, it was a great time and a great combination and next time I'll know that um...this musical is not some simpleton tap combo....ahem Rockettes but they want the real thing.

Also, I notice that some girls were hanging around after they went. I have an inkling that they were asked to hang around to find out info on call backs. If this is true I'm even more annoyed because I'd much rather just be told "NO" than the infamous "Don't call us, We'll call you!"

Being tall has its advantages....

So today was the much awaited Wicked audition, but I wasn't there. What the heck could I have been doing instead? I was at a much smaller, non-union audition for a Christmas Spectacular. It is a small dinner theatre in the midwest, the pay is nothing, but I figure I have to start somewhere and the odds of landing this gig would be much higher than Wicked so I weighed my odds and delayed my big Broadway plans.

This show is basically in a "Rockette" style and they were looking for 5'7-5'9 girls which definitely worked in my favor. They had already auditioned in New York twice before and hadn't found what they were looking for, so off I went to dazzle them on their third go round. There were only 18 girls at the audition and one of them was a friend of mine from home! It was looking like a great decision to come on my part.

The choreographer began teaching a tap routine which, I must say, was more difficult than the combo the Rockettes had taught this season and I was totally unprepared. There were several turns and jumps, it was very fast, and at the end there was a kickline where we had to lineup with the other girls. He took a good amount of time to teach it, which was nice because I was really struggling. I finally felt like I had it down, and of course I mess it up big time when it is my turn to perform it....yikes. Each group does it two times and I get it right the second time but at that point I figured it was all over for me.

They kept me past the first cut, and I thought they had totally lost their minds, but I wasn't going to complain. From there we learned a VERY simple jazz combo. I mean it was ridiculous, we did it four at a time again, but they made no cuts. They then lined us up by height and we did the kick line all of us together and that was it! The director of the show gave us a really long talk after that about all that would be expected if we got the job and where we would be staying and how many days off we would have and then told us they would let us know by Monday. There were still 13 girls left at this point and they needed 16 for the show. Now I don't know how many they had chosen from their other auditions, but these are still odds you can't beat.

Now the question becomes, if I were to get this job, would it be worth being away from home for 2.5 months for basically nothing. At least I'd be getting paid right? Which is something I haven't experienced in a year now......everyone has to start somewhere.

Just a Spoonfull of Sugar

So I figure this week has been dead audition wise, so I'm speaking about past auditions before I forget.

In June, I went to the equity Mary Poppins audition. Now, I don't know if you know how equity works, but basically equity cards are giving to dancers in the union and they get preference in auditions. Since I am a non-equity dancer when I go to equity chorus calls, I am always seen last and may not even get seen depending on time constraints. Anyways, I get to the Mary Poppins audition and there are of course massive amounts of girls there. They had seen the boys earlier in the day and some of them stuck around to teach us the combination they had learned! So kind of them! It was just a quick time step break. Great I can do this!

When the non-equity girls are let into audition room we learn the break and then we are lined up to go one at a time! We do the break and a pirouette, it literally takes 30 seconds a person, and a cut is made! I'm in!

In the next round we learn the first half of a tap combination which is seen in the number Step in Time. It was a super fun combination where we pretend to be chimney sweeps dancing on the roof tops and scared to fall off! We perform for the important peeps four or five at a time and the make another cut. I made it in again, yes!

They ask us to change our shoes into heels and explain that we are going to be doing a portion of the Supercalifragilisticexpialidocious dance in the show. Not only that but SURPRISE! we have to sing and dance at the same time, oh and not just sing, but sing in an English accent. I'm standing there thinking how crazy this is going to be but start focusing on learning the combination which directly corresponds to the words in the song and its fast! Lots of arm motions. At the end of learning it they pair us with a partner tell us that we have to perform the dance facing each other, circling each other on certain parts, and at the end of the whole thing we have to make up a pretend pantomime conversation to have with our partner. Seriously?? I'd never been to such a crazy audition before. Anyways, me and my partner perform and I mess up. Poo, sure its over I wait to be cut, but surprisingly they keep me again!

To make this short....after that we learned the rest of Step in Time. It was so much fun, super fast, but getting all caught up in being a death defying chimney sweep role was easy and awesome. They cut again, then we redid the singing dancing Supercal number, another cut and finally it was time to sing! Dun dun dun.... I sing my song, and the director?? asks if I have another song to sing and I don't, crap. He thanks me and I'm out. I was mildly consoled by the fact that they only kept two girls after the singing round, which included my Supercal partner, and they did ballet after that.

Overall this was another very encouraging audition; however, it lasted FOREVER! I must have been there for 4-5 hours and they made SIX cuts! Talk about brutal. But I loved the material and had a lot of fun and I will be back to Mary Poppins again!