I Wanna Be A Producer!

This summer Atlanta's Theater of the Stars (TOTS) is putting on Mel Brook's and Susan Stroman's hit musical The Producers.  As with most summer stock theaters, auditions usually start with an EPA equity principal audition, where people audition for all the shows that a theater is doing for the summer.  I attended the EPA for TOTS about two months ago where I sang "Don Juan" for them and was told that I would be called back when TOTS was casting for The Producers.

Well, two months later I found myself at a callback for the show with several other girls.  Most of whom I knew and a few who had done the show already.  The call started at 2pm and I was unaware that I had a full day of dancing ahead of me!  We started off learning a number called "Springtime for Hitler" which was a musical theater jazz combo from "the show within the show."  The combo was quick and contained some abstract Nazi imagery, presented in a satirical way of course.  After we learned it we performed the combination three at a time, but no cuts were made.  We then got a chance to do a brief showgirl combination, that pretty much consisted of each girl doing her best Las Vegas showgirl walk across the audition room alone, but I discovered that my showgirl walks needed work!

At this point after two jazz combinations, we put on our tap shoes to learn a tap number from the show.  We were supposed to be showgirls at a party, but as the night goes on the showgirls slide down the road to intoxication!  It was fun and funny; especially, getting to see how everyone else in the room interpreted the drunkeness. I love getting to watch people's creativity in auditions.  Once this third combination was learned and done three at a time, I thought for sure we were done dancing, but we had one combination left in store!  We changed into flats and then learned a combination from "Till Him" which is done towards the end of the show.  We all had to pretend to be old ladies who were falling in love for the first time in a long time.  Hilarity ensued as everyone gave their best grandma impression, while still having to remember a tricky combination, and having to improvise a section at the end.  Phew!  A serious day of dancing to say the least.

Those four combos wiped everyone out, but we still had to sing.  I sang....can you guess? Yes, "Don Juan" and then the people behind the table told me I had a "very good audition today".  Always a good sign!  I heard from my agent that I am "on hold" for the show.  Just like with what happened with Nice Work if You Can Get It.  Basically, they have offered the role out to someone else, but they really like me.  So if a spot opens up in the next month, I may find myself in Atlanta!  No complaints here!

Where is Everyone???

I think once about two years ago I talked about going against the grain and heading to a smaller audition on a day when there is a bigger call going on at the same time.  Well yesterday that is exactly what I did.  Northern Stage Theatre is a smaller equity house in Vermont that was holding a call for the musical Annie.  As a child I always dreamed of being Annie but given that I probably couldn't pull off the red hair, it was a dream never to come true.  (My mom and dad weren't Will and Jada..shout out to Willow!)  But I headed over to audition for it as an adult on the same day that auditions for a new upcoming musical called Becoming Chaplin was coming out.


Now, I expected fewer dancers to be there, but I walked in and there were only six equity girls there! Six!  And when all was said and done only twelve non-equity girls showed up!  So we all got to go in as one rather small group and learned a combination to the number "I Think I'm Gonna Like it Here".  The combination was very ballet influenced and right up my alley!  Nothing makes you feel more joyous in an audition than being in your comfort zone, let me tell you.  So I got to have a lot of fun, which is not always the case. 

We get to go three at a time for the casting folk and I am in the 2nd group of three since there were only six equity girls total.  I had a lot of fun and felt good about my performance and I could tell that a cut was being made, but they never announced it to us.   Instead they had all eighteen of us come back and sing.  I sang a fairly traditional song entitled A Little Bit in Love from the musical Wonderful Town, which went OK, but I pretty much decided at that moment that I cannot wait another week without taking my tush to voice lessons.  After singing that was it! We were all free to go and I headed down to that other audition for Becoming Chaplin.  Two auditions in one day? You bet, but more on that later!

Equity Principle Auditions??

So I've been on tour for the past six months, but more on that later.  Yesterday I had a day off and decided to come to the city to give a go at auditioning for the first time in 2011.  After landing at Laguardia and stopping by my apartment to get my things together, I headed out on a rainy day to try to make it to two auditions.  The first audition was an Equity Principle Audition (EPA) for Ogunquit Playhouse in Maine.  They are doing Legally Blonde and some other musicals for the summer, but I am obviously interested in being Pilar!  It was my first time going to a principle call, and I got there around 10:15 for a call that started at 10am.

Let me explain a little about EPAs.  Usually an EPA call will run about 8hrs during a day and that 8hrs is broken into 20 min slots with five or so people able to sing during that 20mins.  However getting a time slot is on a first come first serve basis the day of.  So many people arrive an hour or so ahead of time to make sure they are able to actually get a time slot.  Once all the time slots are filled, any other equity members who want to audition must sign up on the alternate list and wait around all day to see if anyone doesn't make their time slot.

Now, considering I couldn't make it there early because I just got in town, there was no way I was getting a time slot. So I waited in line to be number 18 on the alternate list.  Then left to go to another audition with plans to come back.  After the other audition finished I came back to Chelsea to find that they had were only on alternate #3!!  Sigh, I'm obviously going to be waiting around all day.  Finally at 3:30 after sitting around for 3 hrs, the monitor was able to get me in to sing.  Yes sing, the bane of my existence but crucial if I want to ever move out of the ensemble.

I had prepared to sing Fairytale by Sara Bareilles because it was poppy and has a cute story, but its a little low for the range they asked, but after having a couple of people hear me sing that song and the other song I was thinking of, I decided on Fairytale.  I go into the room, explain my song to the accompanist and introduce myself to the casting folk.  They ask me if I dance and I tell them I'm a dancer then sing my song,   The song itself went well, but my acting was atrocious, lol, one more thing to work on...  Anyways, they casting director then asked if I had a pop song to sing.  A what? I'm pretty sure I just sang a pop song.  But then he explained further that he wanted to hear a 50s/60s pop song.  Crap.  Of course I don't have one, so he says thats ok and thanks me for my time.  Booooo!

I'm really annoyed because I had specifically been trying to think of a 50s pop song to add to my book for awhile.  Now its top of my priority list.